SATS marks the first appearance of Harto on Ordinals. Since then his work has grown in recognition, collected widely across the ecosystem. This series is his genesis point, the proof of where his Ordinals story begins.

With inscription numbers ranging from #8,815 to #49,891, each SATS is a true early artifact. Collectors prize such low numbers because they represent the first wave: art inscribed into Bitcoin before the protocol was widely known, before markets formed. In fact, even though this is a generative art collection, the files on chain are images, not code, so the registration process was quicker in an age when everyone's on the run.

The visual language is intentionally pared down. Geometry is treated as material: squares, cubes, and colour fields arranged by rule. This restraint allows the works to function as markers of time, early experiments whose simplicity highlights the courage of the act.